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I made a miniature Goya diorama inside a matchbox.
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HELLO EVERYONE. GUESS WHAT.
Our kickstarter has launched.
We’ve got some killer artwork, created by killer artists whose work will thrill (but not kill) you. We’ve got a goal of $12,000.
The book itself not only features dozens of illustrations, but several comic shorts by our talented artists—as well as a personal bio pages with illustrated portraits! In total there are 148 pages of art work. The illustrations will all be printed in color on a coated, heavy weight matte paper. The book will be 8.5 x 11 and perfect bound with a gloss varnished soft cover. All this from 32 amazing artists.
So please check out our project. If you like gore, horror, the weird or the unusual, we would be grateful for your support!
We have until Sat, Jun 6 2014 1:54 AM EDT to make our goal.
Hey, I’m in this thing with a lot of other cool people so if you have any extra money flying around please kick it this way so we can all be printed and live that free and easy kickstarter life like John K, that Pictures for Sad Children guy and Banksy.
Here is Ten Ton Shit, my eight page comic from last year.
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My none-auto-bio auto-bio comic Horrosh from 2012.
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Thought Bubble was a mad rush this year, but luckily I had back-up, with Jared (my boss at OK Comics) picking up lots of comics for the store, which I then proceeded to nick off him. One of these was Joshua Shepherd’s No 1 Hitman, a tiny, warmth-inducing treasure. I have to admit I’m not entirely sold on coloured pencil comics -Brian Fukushima does some nice ones- but overall they feel a bit ineffectual, and I absolutely abhor the ones where you can barely make out the art or lettering. The line between deliberate naivete and messiness is often easily crossed. I enjoy being won around though, and No I Hitman, and Shepherd’s work has helped me forwards towards that.
Hitman works much better in print, the tangible smallness of it, the physicality is part of its appeal and aesthetic. A rotund little dude taps away on his computer, busily blogging away, of which consequences lead to a Rambo-samurai Hitman landing in his backyard and challenging him to a duel. I like the punchiness of the pace, the beats between the sparse dialogue, and the clarity and spacial layout of the drawings and panels. It works better also for not being drowned in backgrounds and colours; the manner in which the framing of images in border-less panels, boxed ones, or mini splash pages with one focal point, have been thought out is great. The whole things is beautifully executed, simple but totally effective, and I was completely charmed by it.
You can read the whole of No 1 Hitman for free, here, or if you want a physical copy, I have a couple to give away, just send me an email at email@example.com (worldwide postage).
Zainab of Comics and Cola wrote a small thing about No. 1 Hitman and has a couple of copies to give away if anyone is interested!
A couple of the sketch cards for Thought Bubble.
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And I’m gone gone gone.
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Happy New Year.
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